Tim Burton's Alice in Wonderland (2010)

Alice in Wonderland (2010).

Director Tim Burton is most famous for his stop-motion animation films such as "The Nightmare Before Christmas" and "Corpse Bride," but Tim Burton's "Batman" and "Edward Scissorhands" show that Tim Burton is a master of live action, too. Basically, Tim Burton can do it all (when he wants to). With his Walt Disney Pictures "Alice in Wonderland" (2010), Tim Burton has managed to take a "it's been done" classic fairy tale by Lewis Carroll and turn it into a Disney movie smash box-office hit. Tim Burton did it by contrasting vibrant color schemes with devastation, pairing top Hollywood stars such as Johnny Depp and Anne Hathaway with a complete unknown female lead, and altering human characters with unique Disney movie animation methods to create startling and almost transcendent imagery. Oh, and don't forget to check out Johnny Depp's famous Futterwacken Dance on my other site.

It's interesting how this "Alice in Wonderland" is marketed overseas - at least they actually show Alice.

This is Tim Burton's original take on the traditional fairy tale "Alice in Wonderland," and he plays it straight, faithful to the original. Teenager Alice Kingsleigh (Mia Wasikowska) is confronted with a sudden marriage proposal from a rich, titled and effete wanker at a garden party. Conflicted about it, she wanders out and sees an odd rabbit in a blue waistcoat rush by. Following it, she falls down a large rabbit hole into a strange new world Alice dubs "Wonderland" but is actually "Underland," though the name hardly makes a difference, and we shall stick to "Wonderland" because the name of the film is "Alice in Wonderland."

Alice in Wonderland, in a strange new place and looking a little anachronistic.

Alice, in Wonderland, soon meets friendly but unusual characters the White Rabbit (Michael Sheen), the murderous Dormouse (Barbara Windsor), the Dodo (Michael Gough), and Tweedledum and Tweedledee (Matt Lucas). These "Alice in Wonderland" characters greet her as a potential savior of Wonderland who will slay the Red Queen's (Helena Bonham Carter) Jabberwocky (Christopher Lee) and restore the flaky but unthreatening White Queen (Anne Hathaway) to the Wonderland throne.

The Red Queen of Tim Burton's "Alice in Wonderland," looking very Cyndi Lauper-ish.

The Bandersnatch and some soldiers under the Knave of Hearts (Crispin Glover) then surprises the group and steal the Oraculum - a scroll of prophecies - for the Red Queen. Alice and the Tweedle brothers escape into the woods. Upon hearing the news of Alice's arrival in Wonderland, the Red Queen orders out her soldiers again led by Bayard the Bloodhound (Timothy Spall) to find and capture Alice.

So much to do, and so little time in "Alice in Wonderland."

Alice meets the Cheshire Cat (Stephen Fry), who introduces her to the March Hare (Paul Whitehouse) and the Hatter (Depp). They all head for the White Queen's castle, but the soldiers appear and Hatter has to allow himself to be captured to save Alice. Bayard the Bloodhound finds her anyway, but changes sides (nobody ever does what the villainess orders in a Disney movie, especially in "Alice in Wonderland"!), offering to help her get to the White Queen's castle. Alice insists that they first rescue the Hatter, so they head for the Red Queen's castle.

I bet nobody called the Red Queen "big head" to her (enormous)  face in "Alice in Wonderland."

The Red Queen treats Alice kindly, unaware of who she is (though, if in fact her previous appearance was like that in the original Disney movie "Alice in Wonderland," it is hard to see how she would mistake her, and she already had been alerted to Alice's Wonderland return). Alice quickly learns that the Vorpal Sword that is the only weapon capable of killing the Jabberwocky is locked away inside the Bandersnatch's den. Alice charms the Bandersnatch and obtains the sword, but the Knave sees her with it and chases her until Alice flees on the back of the Bandersnatch. Alice then presents the Vorpal sword to the White Queen.

Anne Hathaway doing a Jack Sparrow imitation in "Alice in Wonderland."

The Cheshire Cat prevents the Hatter's execution, and the Hatter then tries to stir up a rebellion. It is prevented by the Jubjub bird. Hatter and his allies then flee to the White Queen's castle and prepare for battle, but Alice is not sure what everyone expects her to do (just as she was indecisive about the marriage proposal). Absolem the Caterpillar (Alan Rickman) then tells Alice that he remembers her from her previous visit thirteen years earlier and that she is perfectly capable of defeating the Jabberwocky.

What time is it? It's time for you to make a ton of money, "Alice in Wonderland"!

The Frabjous (battle) Day arrives, and the armies of Wonderland prepare to have it out. Alice, clad in armor, fights the Jabberwocky on a chessboard battlefield and kills the beast. The White Queen takes over and banishes the Red Queen. The Queen also gives Alice a vial of the Jabberwocky's blood, and Alice pledges to someday return to Wonderland again. Alice then leaves Wonderland and returns home, where she is a new and independent person.

Welcome to Wonderland, Alice. Would you like some tea?

Almost all the characters of Tim Burton's "Alice in Wonderland" are digitally manipulated almost beyond recognition in this Disney movie, with often only the fairy tale characters' heads being recognizably human. Several of the Tim Burton "Alice in Wonderland" fairy tale characters, in fact, are completely animated, such as Absolem the Caterpillar. This lends this Tim Burton Disney movie an air of extreme fantasy which jars with new plot twists involving uprisings and battles. This Tim Burton Disney fairy tale movie's story is hugely altered from the original Lewis Carroll source material ("Alice in Wonderland" and "Through the Looking Glass") to make the Tim Burton Disney movie conform to various modern tropes (strong, assertive female, rebellious rather than simply crazy Hatter, etc.). Tim Burton's Alice in Wonderland comes across as a feminist heroine who threatens to make a few changes in the real world once she returns there.

Very nice - but the disappearing animated Chesire Cat in the original Disney animated feature film  "Alice in Wonderland" was cooler.

Tim Burton had to overcome several obstacles in getting this Disney movie into theaters. Directing "Alice in Wonderland" was his first time using green screens, and because of technical issues Tim Burton made the difficult decision to film in 2D and later convert it to a 3D, partly animated, fantasy. Production by Tim Burton of this Disney movie "Alice in Wonderland" took longer than expected, and finally was complete a year late. When the Tim Burton Disney movie was released, several theater chains staged a boycott because of issues relating to a planned quick release of the "Alice in Wonderland" DVD. Fortunately for everyone, the theater chains ultimately relented and Tim Burton's "Alice in Wonderland" enjoyed a wide release.

Ready for battle at the climax of "Alice in Wonderland."

The problems Tim Burton overcame with "Alice in Wonderland" were worth it. "Alice in Wonderland" earned over a billion dollars at the worldwide box office, and later sold over $76 million worth of DVDs. With Tim Burton's "Alice in Wonderland" English setting, emphasis on exotic locations and animated characters, it did not intimidate foreign theatre-goers.  Tim Burton's "Alice in Wonderland" did better overseas than it did domestically, and ranks as the third highest-grossing Disney movie ever.

"I'm grimacing because, well, I'm constipated and this suit is Hell to get off. And I am hating this damn rabbit."

In many ways, Tim Burton's "Alice in Wonderland" is a fun Disney movie, full of delight, humor, charmingly odd characters and witty updates of the classic Lewis Carroll fairy tale. Unfortunately, "Alice in Wonderland"  also can be annoying, pointless and meandering. The visuals of Tim Burton's "Alice in Wonderland" are stunning compared to 60 years ago and so stand up well against the animated 1951 Disney movie "Alice in Wonderland." The technology now is there to combine human and animated forms, and this gives 2010's "Alice in Wonderland" a distinct look. Even with all that, though, it takes Johnny Depp's performance as the Hatter truly to sell this "Alice in Wonderland."

Queen of Heart's Castle  in "Alice in Wonderland" - admit it, it looks like fun!

A lot depends on how you feel about Johnny Depp and his unique acting style and randomly disappearing Scot accent. Depp is all style and mannerisms, but some may think that elevating a minor character to carry a film about major fairy tale character Alice is disrespectful to the source material and a wee bit strained (like the mice taking over the story in "Cinderella II: Dreams Come True"). From this Tim Burton Disney movie's marketing and plot, one might think it was the Mad Hatter who fell down the rabbit hole, and not some vacant girl named Alice, in Wonderland. Reliable Danny Elfman wrote a nice but unmemorable score, replete with mediocre singles later released by Avril Lavigne, 3OH!3 and Kerli.

Absolem the Caterpillar, voiced by Alan Rickman. It just looks too much like a ... Oh, never mind.

So, Tim Burton's "Alice in Wonderland" is far from perfect, and that is an understatement. The problems with his "Alice in Wonderland" start from the very concept. Tim Burton apparently envisaged this "Alice in Wonderland" as a cross between a re-telling and a sequel of Lewis Carroll's fairy tale, with a supposed earlier visit (the one in Lewis Carroll?) that is suggested. However, dialogue, scenes and general plot are all lifted from the original. Why they can't just do a straightforward adaptation of such a charming fairy tale is an open question which "it's been done" doesn't address - they re-do "Madame Bovary" every couple of years and nobody seems to mind. While many of these alterations to Lewis Carroll's fairy tale "Alice in Wonderland" are quite clever in an academic sense and make the story more understandable for modern audiences, they also undermine the high-concept conceit. The decision to man-handle a whimsical fantasy into a quasi-realistic veiled polemic on gender relations and looming adulthood was done for modern sensibilities, but jars when grafted onto a 19th Century fairy tale that was solely intended to please children without any angry political messages.

The White Queen's crib  in "Alice in Wonderland" - perhaps the most color-coordinated castle ever

Rather than an ordinary but bored schoolgirl, our heroine becomes an ageing (not married by 19 in Victorian England? Good luck) proto-feminist with modern sensibilities (which. of course, completely elude her poor clod suitor) trying to figure out a "problem that has no name," as Germaine Greer might put it. This leads to ridiculous excesses, such as having stone-faced lightweight Mia Wasikowska putting on shining armor and defeating the supposedly fearful Jabberwocky. Then, in a stupefyingly misguided and completely unnecessary coda, she is seen to compound this foolishness and go on to subjugate China (one wonders how the Chinese felt about that part, and besides, China was already rebelling against Western influences at that time with the Boxer Rebellion). Indeed, there is much which will make you scratch your head in befuddlement at the choices made by the screenwriter Linda Woolverton in drafting this version of "Alice in Wonderland" for Tim Burton. Apparently, she thought (wrongly) that the power-girl theme hadn't been roared loudly enough in Tim Burton's take on the classic fairy tale "Alice in Wonderland."

Behind the scenes of "Alice in Wonderland," which looks similar to how ABC does the shooting "Once Upon a Time."

In fact, it is fair to say that Tim Burton's "Alice in Wonderland" starts out with a terrific premise and entrancing execution that, after the mid-way point, becomes weighed down with a rather hokey "uprising" and a ridiculous battle confrontation. The 3D is good but not that visually exciting for a contemporary Disney movie, and in fact the giant heads and so forth become distracting and pointless (and perhaps disturbing for small children). The stoic, unknown female lead (and whose name somewhat pointedly is not mentioned by Disney's marketing people anywhere in places such as the Disney movie trailer), despite all attempts to make her into some kind of action hero, is basically a cipher upon whom to dump the weirdness of those around her. If Tim Burton's idea merely was to provide a blank slate for the viewers to fill in themselves, and thus experience the pyrotechnics from a central viewpoint, the casting was a slyly ingenious choice, but it also kills the dramatic tension. This "Alice in Wonderland" also is part of a strange trend of recent Disney movies attacking arranged marriages (see "Brave," which, strangely enough, also has Scottish overtones), as if that were a plague upon modern society that must be stamped out right this minute, rather than something that ended in most places well before the time in which this film was set.

The real star of the show, Anne Hathaway, who should have been the star of "Alice in Wonderland."

The bizarre portrayal at the end of "Alice in Wonderland" of the heroine as some kind of world-beater (this is a girl who couldn't even figure out if she wanted to get married!) who has to keep repeating how much she's "found" herself (writers should show and not have their characters tell things like that, Linda) destroys much of the sympathy for the (dare I say it, relatively homely) Alice that this Disney movie had spent well over an hour trying to manufacture. That brings me to my ultimate verdict: this "Alice in Wonderland" suffers most because of Alice herself. Tim Burton's "Alice in Wonderland" would have worked much better with a recognizable lead who was more expressive and sympathetic and, quite frankly, a better actress (and they didn't have to look that far away, with Anne Hathaway handy, though it is said that she turned the part down). I will give an example: when Johnny Depp does his "Futterwacken" dance at the end, both Alice and the White Queen watch, and Hathaway creates an impression of her own with little peculiar gestures while Mia basically just... watches. Hathaway is the best thing about this "Alice in Wonderland" by far, playing the White Queen as a sort of dilettante poof whose act, combined with the all-white look, is probably a subversive parody of Snow White and her hyper-girlishness and wonderfulness. Anne plays it almost like a faux drag queen impersonation, subtly mocking the femininity of the character, and it is spot on. I am not an Anne Hathaway fan, but credit where credit is due, Anne Hathaway steals this "Alice in Wonderland."

Tim Burton directing "Alice in Wonderland" with the star, Mia Wasikowska.

Still, Tim Burton's "Alice in Wonderland" is a satisfying Disney movie despite its flaws, as long as you like excessive use of  CGI. In that case, "Alice in Wonderland"  is a treat for the eyes, and only becomes a waste of time if you are a hard-core Lewis Carroll fan or unduly picky. If you are a traditionalist and want the truest rendition of the "Alice in Wonderland" fairy tale, seek out the classic 1951 animated Disney movie "Alice in Wonderland," which, all else aside, clearly has better songs. On the other hand, definitely try this "Alice in Wonderland" if you are a huge Johnny Depp or Tim Burton fan (which accounts for most modern film-goers) or hunger for a girl-power reconstruction of an innocent children's fairy tale (maybe next they can make Winnie the Pooh fight for proper enforcement of Title IX, that hasn't been done yet, either).

"Alice Through the Looking Glass" showed that the producer (Tim Burton) recognized that Johnny Depp was the series' true selling point. Notice who isn't shown or referenced at all despite being the title character?

A sequel to this "Alice in Wonderland" and Broadway musical of Tim Burton's "Alice in Wonderland," again written by Linda Woolverton, came out in 2016. "Alice Through the Looking Glass" (2016) featured the same actors and creative team, but was a huge flop both financially and creatively. Personally I recommend avoiding "Alice Through the Looking Glass" unless you really want to learn a lot of backstory about the White Queen and Red Queen (which I found did little more than remove the mystique of the characters). Tim Burton, now just the producer, should have recast the role of Alice, but I guess they felt locked in with Mia Wasikowska. At best the sequel broke even - if that - and has been quickly forgotten.

Below is the original 2010 trailer for Tim Burton's "Alice in Wonderland." Basically, while this version made a ton of money, I still prefer the 1951 "Alice in Wonderland," but you may love this version either just as much or more. Tim Burton's "Alice in Wonderland" is a worthy effort.