|Foster and the two gang members|
Michael Douglas is William Foster (never named in the film), who is usually identified by his "D-Fens" license plate. Foster is coming home on the Freeway one day, stuck in traffic on a hot afternoon with a broken air conditioner, when his inner frustrations and impatience get the best of him. He abandons the car in the middle of traffic and begins a trek across Los Angeles to get to his daughter Adele's birthday party. "I'm going home," he yells to someone else stuck in the jam.
|Foster showing that gang members are only tough when people don't fight back|
It turns out, though, that Foster really has hit his breaking point. At a convenience store, he tries get change to make a call, but the Korean proprietor refuses. Foster begins ranting about the high prices in the store ("You're charging 85 cents for a soda and I'm the criminal?" is the gist of it) and then grabs a baseball bat out of the frightened owner's hand and smashes the place up. When he leaves, two gang members mug him, but he disperses them with the baseball bat and takes one of their knives.
|"Why doesn't this look like the one in the picture?"|
The gang members return with two others in a car, spotting Foster in a phone booth. They fire at him but hit bystanders, then crash. Foster walks over, grabs one of their guns, and shoots one of the thugs in the leg. Making a sardonic comment, he grabs a bag of weapons out of their vehicle and wanders off. As he leaves, he gives a panhandler his briefcase, which is revealed to contain the sandwich and apple that his mother gave him for lunch.
|Holding things up is kind of a trait of Foster|
Foster gets hungry (should have kept the brief case!) and heads for a fast food joint, "Whammy Burger." He orders breakfast and is told that they just switched to the lunch menu so no more breakfast. Arguing about it with the extremely solicitous manager, he pulls out a gun and it discharges into the ceiling. Foster then accepts a burger, but questions why it doesn't look like the ones in the advertisements. After leaving, he tries to call his ex-wife Beth from a pay-phone but then shoots it up when someone hassles him about the length of his call.
|Foster taking out his anger on some deserving punks|
Meanwhile, the local police have been receiving reports of a string of weird crimes that seem completely random. Sergeant Prendergast, watching the clock until he officially retires at the end of the day, pieces together that they are probably all being committed by one individual and sets out to investigate. Interviews with witnesses confirm his suspicions, and he is able to identify Foster from his D-FENS license plate. He and his partner (and love interest) Detective Torres visit Foster's mother, with whom Foster lives. The officers tell her that they found out that Foster lost his job months before, but never told anyone. The officers do learn from her that he is probably heading toward his ex-wife Beth's house near the beach in Venice.
|One of the amusing scenes is when everybody starts agreeing about the burgers|
Foster continues his journey. He sees a black man dressed like him on the street near a bank, protesting not getting a loan, and they exchange knowing glances before the man says to "remember" him. The next stop is an army surplus store to buy some shoes, but Detective Torres comes in to ask the owner if has seen Foster. The owner prevents Torres from realizing that Foster is there, then, after she leaves, confides in Foster that he's proud of what he's doing and gives him a rocket launcher. The store owner, though, is a racist Nazi, and Foster kills him before changing into army fatigues.
|The gang member girl isn't too happy to be in a gunfight|
Walking down a street under repair, Foster notices the crew not doing anything except fattening their paychecks. They are rude about it, so Foster pulls out the rocket launcher and blows the site up with the help of a young boy who explains how to use it. Foster continues on and runs across a family enjoying a nice day outside. He then has another incident at an exclusive country club, where Foster causes a golfer who is extremely rude to him and almost hits his head with a golf ball to have a heart attack.
|Prendergast is a cliché but performed wonderfully by Duvall|
Finally arriving at Beth's house, Foster finds it empty and figures that she and Adele went to the nearby Venice Pier. Prendergast and Torres arrive, but Foster shoots Torres and continues on his way. At the pier, Foster finds Beth and his daughter. Prendergast runs up and he and Foster have a brief philosophical exchange before Foster's journey ends.
|It's always nice to have a helpful kid around when you want to blow something up|
"Falling Down" is composed of a series of disconnected vignettes, and the whole is less than the sum of the parts. That does not make "Falling Down" a bad film, it simply means that there is no over-arching point that is being made. There really is no more to it than that a man snaps after having to take too much, and he goes to exreme lengths to do what he feels is necessary to get what he wants. That it all makes perfect sense to him doesn't mean it is right - it just means that there are different ways of looking at ordinary things that normal people must suppress. "Falling Down" is a meditation on the tight control and suppression of feelings that society requires of people to get along with others in the modern world.
|"Everybody calm down, I'm not really a crazed killer"|
So, with no "message" being conveyed (which is not a bad thing, message movies can be horrible), what is the point of "Falling Down"? The point is that there isn't a point, namely, it shows how dangerous any seemingly inoffensive individual can become under the proper circumstances. Foster reaches his limit after losing his job, losing his wife, and having to cope with big-city frustrations, but everybody has their breaking point.
|Michael Douglas and Barbara Hershey at the premiere at Mann's Theater in Westood, California|
That this remains a topical film should be obvious to anyone who notices the never-ending string of school shootings and similar mass-murder sprees that have been breaking out with increasing frequency in the years since "Falling Down." Back in those days, nobody thought twice about letting their children play outside, and it was considered an outrage that there should be metal detectors in schools. Today, the first thing you think about when the subject of schools come up is the latest shooting at one.
|Barbara Hershey is only in this film for a few minutes|
"Falling Down" has an outstanding cast, which helps give the film a sense of gravitas it may not completely deserve. Besides Douglas, who was riding high in 1993, Robert Duvall appears as Prendergast, Barbara Hershey has large billing but a tiny role as Foster's ex-wife Beth, Rachel Ticotin is Torres, Tuesday Weld plays Prendergast's neurotic wife, and Frederic Forrest is the crazed army surplus store owner. "Falling Down" has one of the best casts that could have been assembled at that time, and director Joel Schumacher was no slouch either.
|Foster really does miss his ex-wife Beth|
There is a mystery within the production of "Falling Down," and that is the identity of the screenwriter, one Ebbe Roe Smith. Smith, incidentally, is the guy who yells at Foster as he leaves his car on the Freeway. The enigmatic Ebbe Roe Smith, a bit actor whose resume was full of roles like "Man at Table," apparently wrote only one more screenplay (the absolutely horrendous "Car 54, Where are You"), then disappeared from view. Recently, he has resumed playing bit roles, perhaps because the money from the screenplays finally ran out. One imagines him, typewritten screenplay in hand, hounding every big shot he runs across to fund his next project, and gradually losing patience, like Foster, when they ignore him....
|Foster looks increasingly relaxed as the film progresses|
"Falling Down" is a film that has similarities to a film done by Michael Douglas' father, Kirk Douglas. In "Lonely Are the Brave," Kirk plays Jack Burns, a loner who runs afoul of the law when he tries to help out a friend. For the remainder of that film, the police track Burns down as he simply tries to leave the area and be at peace. Kirk is on record as saying that "Falling Down" was son Michael Douglas' best piece of work, and, comparing the two films, you can see why Kirk Douglas thinks that. Both films offer fine pieces of acting conveying similarly ambiguous themes about an individual's revolt against societal norms.
|Foster is all business with his weapons|
Incidentally, this low-key crime drama is a gun buff's dream film. If you are observant, you will note the following weapons at one point or another, several of them fired in anger: Beretta 92FS; Taurus PT92; Colt MkIV Series 70; Smith & Wesson Model 19 Snub Nose; Smith & Wesson Model 15 .38 Special; Smith & Wesson Model 30; Intratec TEC-9 submachine gun converted (illegally) to auto; MAC 10 open bolt submachine gun; IMI Uzi; Sawed-off Remington 870; M72 LAW (missile launcher); Browning M1919A4; and an M60. Not to mention the purported Zyklon-B cannister. That's a lot of weapons, more than in some war movies.
|Foster gets his wish and finds his family|
"Falling Down" is not a great film, but it is thought-provoking and full of memorable scenes that will stick with you. Very few people will profess to completely understand what "Falling Down" really is trying to say - if anything. It may be worth a look to see a role where Michael Douglas doesn't play a hero or a villain, but just some guy with nothing left to lose. "I'm the bad guy? How did that happen?" - that sort of sums up Foster's character.
Below is the trailer - which includes most of the good scenes from "Falling Down":